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NOMMO Productions
was established by documentarian Billy Jackson in Boston in 1973
as a production infrastructure for a documentary on Black art, funded
by the National Endowment for the Arts. “We Are Universal”
was completed in collaboration with Blackside Incorporated, producers
of “Eyes On The Prize.”
From concept to closing credits, NOMMO is a
closely knit team of seasoned associates committed to producing
excellent, broadcast quality media--principally in the documentary,
promotional, industrial and docu-drama formats--for private, civic
and corporate clients.
In its early years, NOMMO designed and produced
a PSA for the Massachusetts Rehabilitation Commission promoting
its statewide programs for the handicapped, and a documentary for
the New York City Department of General Services that utilized stop
action technique to promote its community gardens programs. NOMMO
also managed documentation of an NBC Sports triathlon.
In 1985, NOMMO Productions relocated to Pittsburgh,
Pennsylvania, first operating as part of a production team for PBS
affiliate WQED-TV’s award-winning “Chemical People”
and ALCOA’s “People Like Us”--winning an award
in an industrial media competition.
Since relocating, NOMMO has also produced the
documentaries “Didn’t We Ramble On” and “Enough
Is ENOUGH: The Death of Jonny Gammage.” NOMMO’s next
documentary, on the highly regarded and soon-to-be legendary saxophonist
Gary Bartz, is scheduled for release in 2007. |
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The culmination of ten years research
by Dr. Carl Atkins, Didn’t We Ramble On
traces the evolution of the Black marching band from 14th
Century West African processions to present-day bands. The
music, the pageantry, and the many uses of current marching
bands have been irrefutably traced to centuries-old Yoruba
processions by Dr. Atkins and confirmed by noted ethnomusicologists
Dr. Eileen Southern and Dr. John Szwed.
Narrated by Dizzy Gilespie,
this visually and aurally exciting film features performances
of a West African procession, New Orleans jazz funeral procession
and the Florida A&M University Marching Band. Archival
photographs, depictions and music from Africa, Europe and
the United States are used to underscore similarities in the
evolution of this ancient art form.
Didn’t We Ramble On
won the “Best Film” Award in the Black Filmmakers
Hall of Fame and National Black Programming Consortium competitions
in 1991. It also won, among other awards, a CINE Golden Eagle,
a Blue Ribbon at the American Film & Video Festival, and
a Director’s Choice in the Atlanta Image and the Black
Maria Film Competition. |
| Purchase: $149.50 + $6.50 S&H |
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We Are Universal
is a documentary film that recounts the influence of the “Black
Is Beautiful” movement on the art of Black people. Scenes
of arts organizations, performances, and lifestyles in four
of the major urban areas for art in the country – Boston,
New York, Chicago and Los Angeles – are interwoven with
opinions of Black art from artists who were themselves major
influences on the art [then] [in the 1970’s], and who
now have a place in Black history.
Visual segues of two young boys as they
explore their hometown from downtown to “uptown”
combined with a musical score, written by Carl Atkins and
featuring the performances of Gary Bartz and James Ntume,
provide visual metaphors and thematic cues for the discussions
of how Black culture has evolved. The conclusion of the film
offers a projection of Black art that, as the years have passed
since it was produced, remains undeniably accurate…
That We Are Universal was produced in
the 60’s, when ideologies of Black people had a major
influence on all art forms, and that it is now a document,
will have increasing importance in the years to come.
Artists who appear in the film include Quincy Jones, Freddie
Hubbard, Charles White, Nikki Giovanni, Don Lee, Hugh Masekela,
Betty Carter, Lee Morgan and many others* |
| Purchase: $99.50 + $6.50 S&H |
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| On October 12, 1995
Jonny Gammage, a 31-year-old African-American businessman,
churchgoer and volunteer, was pulled over by five white police
officers while driving a Jaguar owned by his cousin, Pittsburgh
Steeler Ray Seals. During the ensuing struggle Gammage was
asphyxiated. There was shock and revulsion in the community,
and thousands, both black and white, took to the streets to
protest.
Enough is ENOUGH! examines
the criminal justice system and the procedural relationships
among the law enforcement officers, the Coroner's office,
the District Attorneys, and the courts. Interwoven with the
story line are interviews with prominent lawyers, politicians
and activists such as Prof. Charles
Ogletree of Harvard, Louis Farrakhan,
Johnnie Cochran, Al
Sharpton and many others. |
To Purchase or find out more about
Enough Is ENOUGH: Click Here > |
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Billy
Jackson Producer and Director, is a national award-winning
documentarian
and principal owner of NOMMO Productions, producer of more than
50 documentary, dramatic, and promotional films. NOMMO’s clients
have included
Alcoa, BET, Duquesne Light, ACLU, Massachusetts Rehabilitation Administration,
and the NYC Dept. of General Service, among others. For
many years he also freelanced as acinematographer for Blackside,
Inc. He has taught film courses at Emerson College and Pittsburgh
Filmmakers, and
served as consultant, cinematographer, and/or producer for government,
industry, independent production houses, and television stations.
In 1982, Jackson was co-producer and production
manager for "Booker T. Washington," which won the Cine
Golden Eagle award. Jackson founded Community Media (CM) in 1989
and served as Program Director until 2003. Community Media was a
Pittsburgh-based nonprofit organization that offered neighborhood
film screenings, trained youth in video production and presentation,
produced documentaries about contemporary issues, and provided video
documentation services for nonprofit organizations. "A Safe
Place," a CM-produced documentary about gangs, won Best Community
Produced Video in 1996 from the Black Filmmakers Hall of Fame. Another
CM video, "Things That Fit," on August Wilson’s
play, "Ma Rainey’s Black Bottom," won a Cultural
Affairs runner-up award in l999 from the National Black Programming
Consortium.
Jackson received his undergraduate degree from
Northeastern University and MEd from Harvard, and has made a lifelong
study of youth education in
media arts. He served four years on the media panel for the Pennsylvania
Council on the Arts and one year on the Creative Teaching Partners
panel for the Massachusetts Cultural Council, and has served on
the boards of several media, social service, and arts organizations.
He is committed to increasing resources for media arts and multicultural
programming, and providing greater opportunities for developing
artists.
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